Trouble Is My Business Movie Review

Trouble Is My Business: A Love Letter to Noir, Steeped in Smoke and Shadows "Trouble Is My Business" is a 2018 neo-noir film that takes us back to the gritty glamour of 1940s detective cinema. Directed and co-written by Tom Konkle, the film is a passionate homage to the classics, filled with sharp dialogue, femme fatales, and a mystery that twists like a cigarette curl in the stale air of a nightclub. The story centers around Roland Drake (played by Konkle himself), a down-on-his-luck private eye drowning in cheap whiskey and bad decisions. When a sultry dame named Katherine Montemar walks into his office, his world gets turned upside down. She hires him to find her missing father, but soon Roland finds himself entangled in a web of lies, double-crosses, and a cursed diamond called the "Orlov." Critics have praised the film's atmosphere, noting its meticulous recreation of the noir aesthetic. The black-and-white cinematography is sumptuous, with deep shadows and stark contrasts that evoke the works of masters like Humphrey Bogart and James Cagney. The score, a blend of jazz and blues, adds to the film's smoky sensuality. The performances are also a highlight. Konkle is perfectly cast as the world-weary detective, his voice a gravelly whisper that oozes charisma and cynicism. Brittney Powell and Jennifer Rope, who play the Montemar sisters, are equally captivating as alluring women with hidden agendas. The supporting cast, including Vernon Wells and David Beeler, add depth and humor to the proceedings. However, some critics have found the film's plot to be derivative and predictable. The twists and turns, while entertaining, feel familiar, and the ultimate resolution isn't particularly surprising. Additionally, the film's dialogue, while snappy and witty, can occasionally feel forced, like a conscious attempt to mimic the hard-boiled patter of its predecessors. Despite its flaws, "Trouble Is My Business" is a stylish and entertaining neo-noir that will delight fans of the genre. It's a love letter to the classic films, capturing their atmosphere, characters, and dialogue with both reverence and a playful wink. While it may not break new ground, it's a well-crafted and visually stunning homage that's sure to keep you guessing until the final shot. Overall Score: 3.5 out of 5 stars Here are some additional points to consider: The film has been praised for its humor, which balances out the darkness of the story. Some viewers have found the pacing to be a bit slow, especially in the first half. The film is relatively short, clocking in at just under two hours. In conclusion, "Trouble Is My Business" is a fun and atmospheric neo-noir that's worth a watch for fans of the genre. While it's not a masterpiece, it's a well-made film that captures the essence of classic noir with style and wit.

Trouble Is My Business

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Trouble Is My Business 2018 and Marlowe 2022 a study in new period film noirs

Film noir is a genre that has been around for decades, known for its moody atmosphere, intricate plots, and morally ambiguous characters. In this article, we will compare two recent film noir releases: "Trouble Is My Business" (2018) directed by Tom Konkle and "Marlowe" (2022) directed by Neil Jordon. We will analyze the films as examples of the film noir genre and discuss the performances of their respective stars, Tom Konkle and Liam Neeson. "Trouble Is My Business" is a neo-noir film that follows private detective Roland Drake, played by Tom Konkle. When a missing girl case becomes more complicated than expected, Drake finds himself caught in a web of corruption, crime bosses, and a femme fatale. The film is praised for its adherence to classic film noir elements, with a moody atmosphere, sharp dialogue, and plenty of twists and turns. As the star and director of the film, Konkle's performance as Drake is strong and confident, and his direction successfully evokes the classic film noir era. "Marlowe," on the other hand, is a more modern take on the genre, directed by Neil Jordon and starring Liam Neeson as Phillip Marlowe, a detective hired to investigate a wealthy businessman's missing wife. The film features a similar web of corruption and deceit as "Trouble Is My Business," but with a more contemporary feel. Critics praise Jordon's direction for giving the film a suitably dark and brooding atmosphere, while Neeson's performance as Marlowe is described as "charming and cool-headed." When comparing the two films, it's clear that both are successful examples of the film noir genre. "Trouble Is My Business" evokes the classic era of film noir, while "Marlowe" puts a blander spin on the genre. Both feature complex plots, femme fatales, and a moody atmosphere. "Trouble Is My Business" is a more faithful homage to the classic films of the 1940s and 50s. In conclusion, both "Trouble Is My Business" and "Marlowe" are strong examples of film noir that will appeal to fans of the genre. Whether you prefer a faithful homage to the classic films or a more modern take on the style, both movies deliver plenty of twists, turns, and morally ambiguous characters to keep you engaged. In conclusion, fans of film noir should definitely check out both "Trouble Is My Business" and "Marlowe." While the films differ in style and direction, they both deliver the twists and turns and morally ambiguous characters that make film noir such a beloved genre.

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https://collider.com/noir-film-comeback-batman-nightmare-alley/ Trouble Is My Business https://www.xumo.tv/channel/99991736/her-free-movies?v=XM0AX1IUG7LYA5&p=61573 via @XumoTV